industry trends



why packaging design is important

If the Consumer Isn’t Happy with Packaging, Nobody’s Happy.
People are generally satisfied with packaging — until they decide to buy.

BRAND PACKAGING recently hosted a Webinar, “Packaging Matters: Studying the Satisfaction Gap in Consumer Packaging,” with global packaging company MeadWestvaco Corporation (MWV). The topic garnered such interest that we decided to continue discussion on the issue. Brian Richard, director, consumer and customer insights, MWV, and Steve Kazanjian, director, global creative, MWV, point out a current mindset on packaging and the danger with that way of thought. They then challenge brands to implement options that will close the satisfaction gap.

You’ve repeatedly heard it said throughout the industry that packaging matters for brands. Owners, designers, suppliers and manufacturers pour intense effort into getting product packages noticed on shelf. Packaging is especially important to brands as so many purchase decisions are made at shelf: If the product’s housing catches the consumer’s eye, the item may go home with them.

“According to our findings, consumers frequently make purchasing decisions in the store,” says Richard. “A majority (64 percent) of consumers will sometimes buy a product off the shelf without researching it first. Despite the smartphone revolution, most consumers (72 percent) still rarely use a mobile device to research a product while shopping.”

So, of course brands need the pack design to appeal to their target audience. Even more impressive is consumers’ rating of packaging as one of the most important parts of a brand’s marketing campaign, according to a Pro Carton study.

“When it comes to repeat purchasing, packaging is ranked as one of the highest drivers, having more impact than TV ads, online reviews or even recommendations from friends,” says Richard.

Facts and figures like these validate the packaging and branding world’s emphasis on the pack. You can’t deny packaging is powerful.

“With all the options available to brand owners, packaging is still the only marketing communications vehicle guaranteed to reach 100 percent of a brand’s consumers,” says Kazanjian. “And that’s how we think of packaging — less as a functional container and more as a marketing distribution channel.”

It’s not wrong to use packaging for communicating your brand to the customer. After all, you need to help consumers figure out if the product is right for them. But, as it turns out, packaging is meant just as much for the buyer as it is for the brand.

“MWV commissioned the ‘Packaging Matters: Packaging Satisfaction Study’ to examine consumer satisfaction with packaging across 10 different categories from the store shelf through transport, storage, use and disposal,” says Kazanjian.

“Our study suggests packaging affects purchase intent, overall product satisfaction and repeat purchase behavior. In fact, our research shows that when it comes to making purchasing decisions, the average consumer ranks a product’s packaging almost as important as the brand itself (10 percent versus 12 percent). In many categories, consumers see packaging and brand as one unified experience.”

That’s great news — if people are happy with the brand’s packaging.

“‘Packaging Matters’ showed us that packaging is a critical component of the marketing mix when it comes to purchase intent, and that there is a low level of satisfaction overall,” says Kazanjian.

So low, in fact, that brands you’re actively involved with may have a very good chance of being thought of poorly in the consumer’s mind.

“Less than 20 percent of consumers are very satisfied with product packaging, and one in 10 consumers is actively frustrated,” Kazanjian states.

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How can this be when focus groups tell brands they like the design, or eye-tracking reports show a certain brand as the first noticed? Surely these results mean a brand is doing well with customers: They are noticing and liking the product packaging. MWV’s study found the trouble starts once the consumer decides to buy.

“While consumers are more satisfied with the packaging at the shelf, the brand’s delivery on its promise often declines from there,” says Richard. “Our study shows that packaging satisfaction decreases significantly once consumers leave the store and experience the structural or functional performance of the package at home or on the go.”

“Shoppers are often frustrated by structural features that don’t perform according to expectations. Of the 15 packaging attributes studied, only a small percentage of consumers ranked shelf appeal, or the product’s ‘attractiveness’ and ‘distinctiveness,’ as ‘very important’ features to their overall product satisfaction (6 percent and 10 percent, respectively). However, this is where brands perform best.”

Great package design is important, yes. It just needs to be coupled with great structural integrity and ease of use.

“True, packaging that doesn’t appeal in store will indeed be overlooked — but if you take away one thing from our study, know that packaging also has to deliver on brand promises throughout the rest of the product life cycle,” says Kazanjian. “How you hold it, open it, dispense it, reseal it and store it are all moments to forge an emotional bond between brand and consumer.”

Those crucial moments when a customer first sees a product usually determine his or her buying decision. Even so, what’s happening then is changing these days. Consumers expect to be wowed at the shelf, but they also want to be wowed as they take the product home and begin use.

“As more consumers shop online — and Forrester tells us 192 million of them will do so in 2016 — the in-store experience with product packaging will become less relevant,” says Kazanjian. “The ‘first moment of truth’ has fundamentally shifted into a small, low-res JPG image, and shelf appeal doesn’t really matter anymore. What matters is that the package is easy to carry, store and use — and can reinforce your brand promise.”

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In short, consumers don’t want their product experience to be hampered by the package, or they might view the brand as failing them.

“In terms of what matters most,” says Richard, “consumers want packaging that protects from breaking or spilling (74 percent), maintains product integrity (72 percent) and gets the entire product out of the package (66 percent).”

“Brands are overperforming on shelf appeal and aesthetics but underperforming on the critically important performance attributes that impact overall product satisfaction, support repeat purchase and reinforce brand values,” he continues. “Think of the last time a package leaked or failed to dispense a product — did you buy that product again?”

Clearly, we realize now more than ever that packaging matters to the consumer. What gets brands into this predicament of leaving buyers unsatisfied?

“Brands have historically been focused on the supplier journey of packaging,” says Richard. “They’ve thought of packaging as a cost and sought to cost-optimize the journey from manufacturer to distribution to store shelf. In this traditional view, once the product has been purchased, the brand owner’s work is done. We focus on the consumer packaging journey — from purchase to end of life.”

“We believe packaging is more than a container, that it is the physical manifestation of a brand promise,” says Kazanjian. “According to ‘Packaging Matters,’ once a package lands in a shopper’s cart, its work has only just begun. That’s when it has to start being easy to transport, maintaining product integrity and protecting from spilling and breaking — from the cart to the car to the kitchen cabinet, through usage and storage, all the way to disposal. And all this structural performance should be the physical manifestation of the brand promise, too.”

“Structural elements of packaging are not only functional; they can play a key role in reinforcing brand promises,” he continues. “Bayer’s revolutionary easy-open cap is a great example. Focused solely on the senior-friendly market, the bottle cap not only reduces a serious pain point for arthritic patients, but it also reinforces a nurturing emotional bond with a specific core demographic.”

So what can brands do to better their packaging to ensure customer satisfaction? Richard has the answer.

“How should a brand prioritize improvements to its packaging? While each product category differs, there are some common themes around areas for improvement related to the functionality of the packaging, such as ‘easy to open,’ ‘easy to carry,’ ‘maintains product integrity’ and ‘getting the entire product out of package.’”

“Brands should focus more on structural packaging innovations that delight consumers in addition to in-store shelf appeal,” says Kazanjian. “Conventional wisdom assumes the product with the flashiest packaging design wins, but our research encourages a focus on function over form. Right now, the basic objectives of packaging — protecting, storing and dispensing — are not meeting consumers’ expectations. In fact, the package that delights consumers after they leave the store holds the most promise for driving repeat purchase.”

Closing the customer satisfaction gap is much easier if brands design and manufacture packaging that survives the product life cycle with customers in mind.
“Packaging really does matter,” Kazanjian finishes. “Because 100 percent of a brand’s purchasers interact with its packaging, it should be an integral component of the marketing communications mix and the physical manifestation of a brand experience. The current gap in consumer satisfaction gives brands an opportunity to build loyalty by focusing on what matters most to consumers, enabling them to delight consumers and deliver on their brand promises.”

Missed the free Webinar? Register to watch it on-demand here.

[via BRAND PACKAGING]

may 8th, 2013 | posted by megan | industry trends

blast from the past: what popular websites used to look like

America Online - 1994

America Online - 1994

Do you remember what Facebook looked like when it first launched? Neither do we! Luckily, Business Insider decided to take a trip down memory lane, compiling several images that compare what some of the most popular websites used to look like before they became what they are now; well…the huge websites we use daily.

From Facebook and Twitter to Google and eBay, we can all agree website design has come a long way. Enjoy the memories. Now, what’s next?

Google - 1998

Google - 1998

Google - now

Google - now


LinkedIn - May 2003

LinkedIn - May 2003

LinkedIn - now

LinkedIn - now


The Huffington Post – May 2005

The Huffington Post – May 2005

The Huffington Post – now

The Huffington Post – now


MySpace – October 2003

MySpace – October 2003

MySpace – now

MySpace – now


YouTube – May 2005

YouTube – May 2005

YouTube – now

YouTube – now


Twitter – October 2006

Twitter – October 2006

Twitter – now

Twitter – now


Yahoo! – 1994

Yahoo! – 1994

Yahoo! - now

Yahoo! - now


The New York Times –1996

The New York Times –1996

The New York Times –now

The New York Times –now


eBay – 1997

eBay – 1997

eBay – now

eBay – now


Facebook – 2004

Facebook – 2004

Facebook – now

Facebook – now

[via Business Insider]

may 2nd, 2013 | posted by megan | industry trends

popular online brands reimagined as ‘line-based’ logos

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Design consultancy Antrepo—who previously designed minimalistic packaging for international brands—has reimagined several online brands with ‘line-based’ logos.

Drawing inspiration from the design of vintage Japanese cameras from the ‘70s and ‘80s, the consultancy applied the ‘line-based design’ to the logos of online brands such as Facebook, Google, Apple and Twitter—giving the logos a clean and minimalistic finish.

“When we take a look at the vintage 35mm cameras, we notice that almost all of these brands use the same style for their logos and typography (line-based logos and extended-outline fonts),” Antrepo wrote on a blog posts.

“The production industry created ‘line-based logos’ for metal bodies, probably to cut down the production costs… we try to see the digital world in the same perspective of this vintage style.”

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february 7th, 2013 | posted by megan | daily inspiration, industry trends

upcycling coffee products

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Used coffee capsules now upcycled as watches - Nespresso has been riding the home barista trend with counter-top coffee makers. But what to do with those crushed capsules? One enterprising idea is seeing them used as the basis for a handmade, custom timepiece as part of the Grand Cru collection produced by high-end watchmaker Blancier. At least you’ll always know when it’s time for a coffee.  [via Brand Channel]

coffee-stirrer-necklace

Leave it to a Manhattan-based crafter to use coffee shop leftovers to create a stylish piece of fashion. Dreamed up by P.S.- I made this… blogger Erica Domesek, this chic statement necklace is made entirely from plastic coffee stirrers, thread and a scrap of ribbon.

Inspired by a collaborative collection from Marc Jacobs and ’80s fashion icon Maripol, this trend-setting piece is sure to turn heads - whether you live in the big city or a small town. Create an inverted triangle like Domesek’s, or try another shape for the look that suits you best. [via Earth 911]

play-ball-cup-typography

Brooklyn-based desinger Derek Munn enjoys all forms of visual arts, but his passion lies with expressive typography. When he was a child in Newport News, Va., he and his Little League teammates would store their water cups in a chain-link fence in front of the dugout to keep them clean. The memory inspired Munn to use foam coffee cups to create baseball-related typography at a local playground.

Check out his tutorial at Ragehaus to see how he did it, and give the geometric letters a try in your own neighborhood. This fun project would be great for sports games, but you don’t have to be an athlete to get in on the action. Just use the same technique to craft a typography message that represents your interests and transforms them into head-turning art. [via Earth 911]

paper-cup-garland

Rather than tossing those espresso cups in the trash, repurpose them into a dainty (and surprisingly stylish) home decor solution like Hey Gorgeous blogger Rhiannon Nicole. All you’ll need is a few basic materials and Rhiannon’s detailed photo tutorial to help you do it right. Don’t worry if your espresso cups are branded with a coffee chain logo. You’ll be covering them with colored craft paper anyway.

Once you have completed your project, hang the string lights at home as a decorative accent, or use them to posh up backyard parties, baby showers or weddings. [via Earth 911]

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Starburst home decor is trending in modern homes and apartments from coast to coast. But these picks can be pricey at most home decor chains. Ditch the added expense and create a starburst-style clock on the cheap using this detailed tutorial from Freckled Nest blogger Leigh-Ann Keffer.

Purchase a set of clockworks from a local crafts store to make the whole thing yourself, or use a thrifted clock with no dimension as a base for your spunky focal point. You’ll need a pretty sizeable handful of stirrers to complete this project. So, you may want to ask friends and co-workers to stockpile their stirrers for a few weeks before getting started. [via Earth 911]

coffee033

If you’ve ever picked up coffee for a group of friends (or the entire office), you’re likely familiar with those pesky fiberboard cup carriers that tend to come with large orders. It would be tough to carry eight lattes without them, but once you reach your destination they become little more than extra waste.

Keep your carriers out of the landfill and create a funky piece of wall art at the same time by taking a cue from New Orleans mom and Bon Temps Beignet blogger Liz. The crafty mama arranged her cup carriers into a geometric pattern and added string lights for a modern look. Check out her tutorial at Bon Temps Beignet – chock-full of photos and tips to help you craft your own budget-friendly wall art. [via Earth 911]

january 22nd, 2013 | posted by megan | daily inspiration, industry trends, sustainability

pantone swatches for perfect beer swigging selection

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Finally, a gag gift for that insufferable beer snob you know: Pantone swatches for beer. Designed by Alexander Michelbach and Daniel Eugster, each “Beertone” card gives the exact color value of a beer in RGB, CMYK and HTML code. Their efforts were assisted by some 202 Swiss breweries, which offered SRM data and actual beers as research aids. Fast Company’s Co.Design blog astutely points out the dichotomous appeal of something like this: It’s a lowbrow concept that was nonetheless treated with care and no small amount of serious craftsmanship, and the result is something quite clever. A Beertone mobile app is on the way, too, which will be an even more convenient resource for beer snobs who are tired of getting dirty looks from bartenders and waitstaff.

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[via ADWeek]

january 21st, 2013 | posted by megan | daily inspiration, industry trends

a dictionary whose definitions are google image results

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On the surface, Google Images is a remarkably comprehensive thing, serving up visuals for just about any query a curious Internet user could muster. But behind the scenes, it’s constantly in flux, its database growing along with the web and resorting itself according to new search patterns and the constantly tweaked algorithms that serve them. So this new project by Ben West, a thick tome displaying the first Google Image result for every word in the Oxford Pocket Dictionary, isn’t so much an authoritative visual reference as much as a snapshot of the Internet, through the eyes of Google, circa early 2013.

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Google Image search is a mixed bag, especially when you focus in on the first result for a given query. Sometimes it yields a useful visual aid; searching for “heart,” for example, comes up with a diagram of a human heart. Sometimes that first result is an instructive, tangentially related thing; “altruism” serves a Peanuts strip illustrating the concept. But much of the time, the initial result for a given term doesn’t seem to have much connection to the word at all, dictated only by the wilds of the web, at that given moment, and the vague logic Google uses to catalog it.

London-based artist Ben West thought it would be nice to have a hardbound version of that graphic mélange, so with the help of some friends, he decided to make one for himself. His book, Google, shows the first image result for every word from the Oxford Pocket Dictionary. It’s an easy gag, but West’s dedication to dressing up the erratic Internet content in a truly beautiful package makes it a sight to behold. There’s an eye-catching, abstract cover, inlaid with the Google logo in gold; bespoke marbled paper, provided by a friend; and even the little indentations on the edges of the pages for the letters of the alphabet–the true dictionary design touch. “If something’s worth doing it’s worth doing right,” West says.

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West’s brother created a computer program for gathering the images (”saving images for 21,000 words manually would be a right old ordeal,” the artist points out), which means that there was no filtering whatsoever. The 1,200-some pages bear Google’s first results, regardless of resolution or relevance. And the images are presented without the terms that produced them. In a sense, the collection is an extensive visual account of the English language; in another, it has almost nothing to do with it.

West has received so many inquiries about the book that he’s planning to produce a small run for sale later this year. And to account for whatever new images have cropped up since his first printing, he’s planning on making it a revised 2013 edition. “Almost all the images are different from one year to the next,” he points out. “If the book sells, we’ll go on to a 2014 edition, and on and on.” And if trends hold, by the 2017 edition or so, expect to see a picture of Justin Bieber on just about every page.

Keep an eye on the artist’s personal page for more.

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[via: Co.Design]

january 16th, 2013 | posted by megan | daily inspiration, industry trends

do you need a designer? [flowchart]

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Hamburg-based freelance designer Sabine Ahrens has created a nifty flowchart to help her potential clients decide if they need a designer.

By asking a series of leading questions—a framework often used for pop-psychology quizzes in lifestyle magazines—the tongue-in-cheek infographic is a light-hearted way to express how a designer may add value to your branding and business.

The flowchart includes a mix of not-so-serious and thought-provoking questions—from “Do you look in the mirror in the morning/take a shower/brush your teeth?” to “Compare your visual identity to your competitors. Would you hire yourself?”

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View the full flowchart here to find out if your brand needs a designer:

designerflowhi

[via Design Taxi]

january 7th, 2013 | posted by megan | daily inspiration, industry trends

a magical paper extends the shelf life of produce, organically

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Have you ever come home from the market with armfuls of fresh fruits and vegetables only to find them wilting and rotting in the fridge a mere week later? Or even get home from your local produce market with a box full and anxiously scarf down pounds of fruit before it goes bad? So, the question presents itself: How do we keep produce fresh from farm to fork for an extended amount of time, and thus reduce food waste? The solution came from Kavita Shukla who didn’t necessarily set out to solve the issue; her innovation developed from her middle school science project.

After years of research and development Fenugreeen FreshPaper was founded in 2010. The small magic squares of spice-infused paper were  developed as a remarkably effective way to keep food fresh - extending the shelf life of produce up to four times longer than usual.

The exact combination of herbs and spices used in FreshPaper is proprietary, of course, however the only ingredient Shukla will reveal is fenugreek, a spice often used in Indian cooking, which also lent its name to her company.

screen-shot-2012-12-12-at-122632-pm

How it works:

“It basically works by inhibiting bacterial and fungal growth, as well as the enzymes that cause fruit to over-ripen,” Shukla explains. “The concept is that you can just drop a sheet into a drawer or carton. Sometimes people put it into a fruit bowl. Our customers call it a ‘dryer sheet for produce.’” Each certified organic and biodegradable sheet lasts about two to three weeks, until its distinctive maple-like scent begins to fade. “That’s how you know it’s no longer active,” Shukla explains.

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​Today, FreshPaper is used by farmers and families across the world and most recently has been made available in Whole Foods Markets. The growing distribution has allowed her to pursue her efforts to begin a “get one, give one” program benefiting local food banks, starting with those affected by Hurricane Sandy in New York and New Jersey. Shukla says the brand has grown entirely by word of mouth, and credits much of this grassroots energy to increased environmental awareness in consumers.

“As we start to learn more about what’s going on with food waste, we realize that there’s water involved, there’s energy costs, land, resources, that go into creating the food that we eat,” she says. “And with the economy, people are becoming much more conscious of being wasteful at home, because they know not only are they struggling, but there are people in the U.S. that have no access to fresh food at all. It seems that everyone is coming to understand the importance of buying less or conserving what we have, and how that fits into the larger food crisis.”

Fenugreen is a social enterprise with the mission of “Fresh for All.”

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[sources: FreshPaperFast Co.]

december 12th, 2012 | posted by megan | daily inspiration, industry trends, organic

festivitee: foerstel goes bowling

This past weekend the Foerstel team got together to celebrate the holidays over fried food, great company and many strikes (okay, okay gutter balls) at Emerald Lanes in Boise. Cheers to another fantastic year!

december 11th, 2012 | posted by megan | industry trends, people + place

janie hoffman, founder and CEO of mamma chia, named “person of the year”

Here at Foerstel, we’d like to extend a massive congrats to Mamma Chia’s very own founder and CEO, Janie Hoffman. Hoffman was awarded “Person of the Year” at the annual BevNET Best of 2012 ceremony. We’re honored your company has chosen to do business with us. Congratulations, Janie!

bevnet

Janie Hoffman, founder and CEO of Mamma Chia, a conscious and sustainable company that offers delicious, high quality, organic chia-based beverages, has been named “Person of the Year” at the 10th annual BevNET Best of 2012 awards. Hoffman is recognized for her impact on the beverage industry, including the creation of an entirely new category - the first chia-based beverage - as well as a leader in category sales and growth.

janiehoffman

“Receiving this recognition from BevNET is both extremely rewarding and humbling-it really puts into perspective what the Mamma Chia team has accomplished in a relatively short period of time and acknowledges our innovation as the creator of the chia beverage category,” said Hoffman. “In a little more than two years, I’ve watched Mamma Chia grow from a delicious beverage I developed in my kitchen to now being a brand leader in the functional juice category. Best of all, we’re making a difference in people’s lives by providing a convenient way for them to increase their natural vitality with the powerhouse ingredient of chia.”

Since launching nationally in fall 2011 as the first-to-market chia seed beverage, Mamma Chia has experienced quadruple-digit growth and continues to expand rapidly. The company unveiled three new vitality beverages earlier this year-Grapefruit Ginger, Guava Mamma and Kiwi Lime-bringing the Mamma Chia product portfolio to nine varieties that are gluten-free, vegan, non-GMO, kosher and certified organic by the USDA. The brand was also honored with the BevNET “Best Non‐Carbonated Beverage Award” in 2011.

With a superior taste and a powerful synergy of nutrients, each 10 oz. bottle of Mamma Chia features more than a day’s worth of omega-3s (2500 mg), 25 percent of daily fiber, 4 g of complete protein and 95 mg of calcium, plus powerful antioxidants and valuable minerals. Mamma Chia is available nationwide at natural food stores such as Whole Foods Market, as well as mainstream grocery stores like Ralphs, The Fresh Market and Wegmans for a suggested retail price of $3.49 per bottle.

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BevNET is recognized as the preeminent resource for beverage industry information. Its editorial mission to assist in increasing retail beverage sales led to the establishment of the “Best of” awards as a reference map for the developing beverage landscape.

[via: New Hope 360°]

BevNET.com, the leading beverage-oriented media company in the U.S., is pleased to announce its Best of 2012 award winners. Selecting from a pool of nearly 300 new product introductions, brand revamps, and line extensions, an overarching theme of health and wellness dominated this year’s list of winners. From cold pressed, high-pressure processed juices, to emerging functional ingredients, to natural sources of energy, the 17 award winners represent brands that have become key drivers of innovation in the beverage industry, and ones that BevNET expects to remain at the forefront of new growth in an ever-evolving marketplace.

december 7th, 2012 | posted by megan | industry trends, organic, press
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